Reggae time!

beautiful voice....




et plus récent avec un bon gimmick :guitare:


et un bon petit dub qui tourne pour le week  

Jean Much 17 a écrit:

au secours !!

Arnaud s'est cloné !!

maintenant il y en a 2

cool on va pouvoir rigoler :cyclops:
:bounce: :bounce: :bounce:

Derniers achats...

Ska/Calypso...


Big Classic...


Rareté absolue...


On peut pas appeler ça du reggae... Mais ca vient de Yard... !
Ca se rapproche d'un Nyahbinghi bien deeeeeeep...
En 3 temps... Oo

Rest in Power Mr.Tinglin

J'avais oublié celle là...



Classique de chez classique... Et Ultra Killer !!
Me le faut !!

Arme de destruction massive en session... !
En plus, la plupart des disques TR Groovemaster sonnent de ouf !!

Nyah_man a écrit:

Classique de chez classique... Et Ultra Killer !!
Me le faut !!

tu peux rajouter celui là, si t'a pas?
comme ça je viendrai l'écouter at y home :moqueur:
:guitare:  :guitare:  :guitare:

Oé gros classique UK Style !! Heavy
Mais j'l'ai pas sur galette... Juste en Flac !
Ca fait du bien de réécouter des gros classiques... A force de fouiller et d'être en quête de tune obscurs, on oublie vite que les classiques sont devenus des classiques parce qu'ils ont tout arraché à leur époque... Et qu'il est tout à fait normal qu'ils nous arrachent encore aujourd'hui...

Ceux là viennent de rejoindre mes box...


Big Rarity !! Récemment repress mais bon rien ne vaut un bon press original !


Celui là, j'en suis vraiment content... Gros Killer !


Le mec sait pas chanter... Mais gros message !!! :bafle1:


J'avais ce disque...


... Mais j'viens de pécho le cut guitate pour une misère ! Bien cool... !




Bien obscur ce cut... Fait longtemps que je le cherchais... !

Nyah_man a écrit:

Big Rarity !! Récemment repress mais bon rien ne vaut un bon press original !

Celui là, j'en suis vraiment content... Gros Killer !

sont bon ces deux là , effectivement killer le trombone!!

et le "work all day+cut gratte TOPPP!

le Wiston je connaissait je suis pas fan et" lets people talk" super intro j'ai bien aimé!

je reviens aussi sur le Challenge - The Hippy Boys -->j'adore le son de gratte de cette période "GENIAL"
dans le meme style de gratte en version revisité, j'avais aimer ça quand c'est sorti

:

Thks
bon choix l'ami!!

Mika82 a écrit:

dans le meme style de gratte en version revisité, j'avais aimer ça quand c'est sorti

idem dans le délire gratte,  et encore plus récent , la guitare hawaïenne est surprenante...
je pense pas que ce soit ton style mais faut avouer le mariage heureux!

[/quote]

BOOOOOUUUUUM le Prince Fatty !!! :bafle1:
Big thanks pour cette découverte... !

Le Rockamovya, j'aime bien.... ca fait remonter de vieux souvenirs !

Killer made in Japan... !


L'album entier a été posté avant mais celle est un bonbon...


Chelou que le son penche à droite... ça le fait pas sur le vinyle !


Découvert y a peu sur ebay, j'ai espéré rafler la mise pendant un ptit moment, et puis bon c'est parti à 1800 balles quoi...  :suspect:
Killer intergalactique, ultra rare, ultra obscurs... !
Ca sonne ruff & tuff, j'adore !

Le reggae inscrit sur la liste du patrimoine culturel de l'Humanité

C'est, je pense, la réflexion la plus sensé sur le sujet...

"Don’t you just know that Unesco’s decision to add reggae to its list of the intangible cultural heritage of humanity will be the kiss of death for any remaining semblance of “rebel music” in Jamaica? While the island’s delegation at the United Nations was skanking in celebration the other night, there was no corresponding “jam out there” in the streets of Kingston, Spanish Town, Mo’ Bay or Ochi. Once upon a time there would have been, but this recognition by the UN is at best too little too late and, at worst, somewhat suspect.

Suspect? Yes, when the institutions that reggae has been decrying for decades as “Babylon” – the Jamaican government and global power – are the very ones hailing it as an international cultural treasure worthy of protection and promotion. Turkeys endorsing Christmas come to mind, with the gobblers hatching a cunning plan to turn 25 December vegan. If this gong gives the Jamaican government the ownership of reggae that it craves, Unesco may be guilty of endorsing the Caribbean equivalent of John Lydon (once Johnny Rotten) appearing on a television butter advert. That moment whacked the final nail into the coffin of punk and the 1977 anarchy in the UK that roots reggae went in tandem with back when, if you were fortunate enough to be the white man in the Hammersmith Palais, you got two rebellions for the price of one. Unlike the punk thing, the political potency of reggae has endured for generations. And the Jamaican authorities certainly don’t like that.

Jamaicans do not need the UN to endorse the soundtrack of their lives. They do not need Unesco to tell them that reggae is “cerebral, socio-political, sensual and spiritual”. Jamaicans know that already. They have known for half a century that the reggae beat is their nation’s heartbeat and that its lyrics are the soul and conscience of its people – from Burning Spear’s Slavery Days to Damian Marley’s Welcome To Jamrock.

It’s not the Jamaican people but the Jamaican establishment that needs to hear that. The very same Jamaican establishment that fought against reggae for years until they realised it was bringing in more revenue than the nation’s ailing bauxite industry so they had to incorporate it – minus the lock, stock and two smoking barrels, still smouldering from the days when it was inspiring revolutions from Zimbabwe to Angola to Grenada. In those days the Jamaican establishment only cared about reggae at election time, when they used it as a conduit to reach out to the masses, many of whom got their political education through the music of the Wailers, Culture, Burning Spear, the Mighty Diamonds and toasters/rappers such as Big Youth, I-Roy and, much later, Buju Banton.

The government’s contempt for reggae meant the revenue that was earned from the music worldwide went into the coffers of every other country but Jamaica.

Wherever people were oppressed, reggae provided a battle cry for change: “Get up, stand up, stand up for your rights.” In Jamaica especially, reggae was accusing the authorities of being the new “slave drivers”. That message was tantamount to sedition as far as the authorities were concerned and they came down hard on it. Back then, in the genre’s 70s heyday, you couldn’t hear a reggae tune on the state-controlled airwaves on the island. You could hear Abba and Jim Reeves, but Jamaican radio gave you no inkling that reggae was the “heart and soul” of the country, as the minister for culture, Olivia “Babsy” Grange gushed at the Unesco gathering earlier this week.

Oh the irony. Grange, a former reggae producer herself, is touting a sanitised vision of the island because that’s where the money is. This was evident from the Bob Marley track her delegation chose to play to celebrate the momentous occasion – One Love, a tune that became a huge posthumous hit for the reggae king, but one that he rarely, if ever, performed live. As subversive a song as it is, its outward sweetness didn’t sit well with the music maker from the ghetto of Trenchtown, when he toured the world as a superstar in the late 70s.

The government- and Unesco-sanctioned “heart and soul” of Jamaica is that of the happy tourist on a beach with a few club sodas, meditating to the music of Bob Marley. Where the reggae doesn’t point fingers at the establishment that sold you that all-inclusive holiday in the sun. It is not the gritty sufferer’s heart and soul – that’s one the tourists will never see. This is reggae without its teeth."

https://www.theguardian.com/commentisfree/2018/dec/01/reggae-jamaica-rebel-music-unesco-cultural-heritage?CMP=share_btn_fb&fbclid=IwAR1XHzzDImEnGvVx8xRlFReBV8aGps0dYCV8drPEcQWtRgc-oIZ1OLX-pds

Cette version est tellement puissante musicalement parlant...



If I could rule this whole world
All men heart would be clean
For some feel like happiness
Can be bought for a fee

If I could rule this universe
Love would fall like rain
Fall on those with fortune and those without a name
Just because
Never on a counter happiness is sold
Never in this world happiness is sold

If I could rule this globe
Love would fall like rain
Fall on those with fortune and those without a name
Just because
Never on a counter happiness is sold
Never in this world happiness is sold


...........

Celle ci a vraiment un lyrics de fou furieux...
Bien aussi, mais moins sympa niveau riddim...!



If I could rule this whole world
Then all men would be free
Free to know love, and it knows love is free

If I could rule this universe
Then all men heart would be clean
For some feel like happiness
Can be bought for a fee
Let me say
Never on a counter happiness is sold

If I could rule this globe
Then love would fall like rain
Fall on those with fortune and those without a name
let me say
Never on a counter happiness is sold
Never in this world happiness is sold
Let me say
I've got to stay in slavery in this world...

Mika... Qu'est ce tu branles, bordel...:?:

j'arrive, j'arrive!!! je t'ai manqué? non déconne pas... :moqueur:
tiens après tes deux balles (com dab')
listen

SHANNNNNNKAAA!!!
rdv en 2fév19 au Bikini

Je commençais à m'inquiéter... :lol!:

Oh que oui... Le 2 février est réservé...!
Ca va pas jouer roots très longtemps, mais bon, ça reste Shaka !

Marrant que tu passes ce Shaka - Warrior Style...
J'ai commandé le Joshua Moses - Africa is our land en org... Le mec s'est planté et m'a envoyé ce Shaka à la place
Et maintenant, il me demande de le renvoyer... relou  :suspect:

The story of Jason Whyte...

14 year old Jason had left with his 68 year old father on a fishing trip in a small canoe but the boat's engine failed.
they were adrift for 17 days, they made an unsuccessful effort to row the boat back to shore.
They both prayed continuously...
Sadly, Jason's father would not survive the ordeal.
He died of an apparent heart attack during the horror at sea, and the frightened teenager had to make the painful decision to throw his dad's body overboard to lighten the weight of the board...
Jason was picked up by the german ship "Eibe Oldendorff" June 14, 1971 and taken to Panama. he was very traumatized...

Ca tape sec, non...?
Chez moi, le canap jump

Ps : C'est pas le bon disque qu'il y a en photo... Et comme ce cut est normalement accompagné d'un press noise assez chiant sur le 7", ca vient forcément du CD...
L'art de se faire youtubaiser...!